Visual Arts
As an artist, Allan Crite was always observing, drawing, and thinking about his Boston—the buildings, streets, parks, and playgrounds of Lower Roxbury and the South End.
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I found it remarkable to explore the exhibition, then experience a kind of filmic audience with the artist, then return, fired up and enlightened, to the beautiful installation.
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The exhibit highlights the interplay between Grace Hartigan and the circle of modern poets who became her friends, supporters, and in some cases, patrons.
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Mario Diacono’s works were a guide – a guide to see and think deeply about words and images.
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Some critics will consider the work in this show extreme, but one of the many strengths of American Artist lies in the fact that they draw on Butler’s prescient dystopian vision, elements of which are becoming a reality.
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By engaging with this work, museum visitors are likely to gain a greater appreciation for — and understanding of — the wide-ranging talents of Indigenous artists.
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Through the efforts of the Boston Public Art Triennial, the City of Boston’s civic life and built environment have been enhanced and strengthened. Bravo!
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Portia Zvavahera’s seven large paintings, including three new pieces, focus on the umbilical nature of her dreams, in particular those featuring imagery which reaches out across unusually linked cultural, historical and religious touchstones.
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Let me be clear where I stand on the Cybertruck controversy. I have never ridden in, driven, or even touched one. But I love the way it looks.
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Visual Arts Commentary: What Would It Be Like If Women Ruled Israel and Gaza?
Perhaps asking that Judy Chicago’s exhibition not come was a necessary strategy in the short term, to help end Israeli brutality. But the lesson her show teaches us is necessary in the long term, so that Israelis will stop glorifying that very same brutality.
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