Theater
ASP director Bridgette Kathleen O’Leary chooses a nuanced approach to Othello that hews closely to the text.
It is no longer enough for a playwright to go into the belly of the ‘beast’ and pray for help.
This show’s eclectic score is more progressive than what is typical of our determinedly conservative modern musical theater genre.
Israeli Stage has opened its sixth season, which is dedicated exclusively to female playwrights, with a haunting work that examines the complicity of an ordinary German in the Holocaust.
The Huntington Theatre Company’s magnificent production of Stephen Sondheim’s masterpiece A Little Night Music is as good as it gets.
Gloucester Blue is a lively play whose glow is generated by the spirited, tragicomic performances of a cast that obviously delights in performing it.
In appropriate, a talented young playwright turns mischievous literary homage into a work of exhilarating entertainment.
Membership in academe comes down to those who never wanted to leave the comforts of college or those who see it as a launching pad for scoring big bucks.
The New Repertory Theatre is paying homage to Arthur Miller’s centennial with a superb staging of one of the dramatist’s later works, Broken Glass.
is one high-energy spectacle: it is far more of a performance art piece than a ‘well made’ play.
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