Theater
Mark St. Germain’s drama is not about Cold War politics, but the question of whether a great man is (or need be) a good man.
Read MoreThe musical is a relentless, one hour and fifty minute excursion into the history of racial bias in America, from the cotton fields to the Civil Rights movement.
Read MoreThough Kenneth Lin wrote Warrior Class in 2012, it is easy to see its resonances with the 2016 election cycle.
Read MoreTiger Style! blows by like a whirlwind — wordy, frivolous, and ultimately unsatisfying.
Read MoreAlice Birch’s play/polemic about radical feminism resists Company One’s earnest-to-the-max interpretation.
Read More“Theater is my pathway to sanity,” Melinda Lopez explains.
Read MoreDespite an appearance by Satan, this is not all that frightening a yarn for Halloween, but the MRT’s production is absorbing nonetheless.
Read MoreIt’s the wild mind of puppeteer Paul Zaloom that’s really on display here.
Read MoreSarah Ruhl attempts, but fails, to discover illuminating similarities between the powerful then and now.
Read MoreIn this innovative production, Hamlet comes off as Shakespeare’s most successful genre mash-up of tragedy and comedy.
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Arts Commentary: Rich in Creativity — But Nothing Else