Theater
temping is a strange and experimental beast, and I look forward to seeing where this type of interactive experience goes next.
In a surprisingly quick 100 minutes, this smart play forces us to confront our own preconceived notions about good and evil.
Wakka Wakka’s puppetry skills are highly impressive, its staging inventive and undeniably entertaining.
Is the long trip through Purgatory worth the time? Not sure.
Chill is a solid enough attempt to dramatize a millennial coming-of-age story, but it is reluctant to probe very deeply into the guts of the zeitgeist.
There are powerful intimations of modernity in the writhings of Edwin Booth’s psyche.
Questioning Joshua Sobol’s right to write about these kinds of intimate atrocities is to suggest that stages should never address these issues.
Penobscot Theatre Company is staging Monica Wood’s moving and thoughtful play about a real life labor dispute in Maine.
This is a wonderful production of an important play that still has a dog in the fight.
Theater Commentary: Resist Trump? Boston’s Stages Opt Out
Resistance, at least in Boston theater, is futile.
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