Theater
Lydia R. Diamond’s dialogue is funny and cutting; when it needs to it digs deep, mining gems of psychological insight.
My 80-Year-Old Boyfriend is a joyous delight, an irresistible reminder that time flies.
Debra Wise’s stellar turn is not only a reflection of her long stage career, but a testament to the breadth of her experience.
This thoroughly cockamamy world offers the kind of guilty pleasure that you hope never ends.
IRNE critics argue about what we think are the best, the brightest, and the most award worthy of these dozens and dozens of productions.
Was this trip really necessary?
Paradise‘s central conflict and the performances in the Underground Railway Theater production are damn good.
Apollinaire Theatre Company has done delightful justice to this zesty rejuvenation of a didactic dramatic chestnut.
The script softens up the issue of patriarchal authoritarianism by plugging it into a family comedy structure.
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