Theater
In a production filled with emotional intensity, Audra McDonald delivers a powerhouse portrayal that elevates a somewhat uneven staging.
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Few could doubt this satire’s relevance, given the alarming results of November’s election: a convicted felon, whose minions lean into racist and sexist tropes, is back in the White House.
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At its best, this script offers an opportunity for audiences to cast a backward glance at the first stirrings of dramatist Lynn Nottage’s prolific canon.
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Our critics salute the year’s outstanding productions.
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Once again, Revels has pulled together a varied and diverse cast of amateurs and professionals to amplify a valuable lesson: it’s important to stop and take stock of our lives during the longest night of the year and to have faith that a new year will bring renewal and growth.
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Both Stereophonic and Babemake compelling drama out of the volatile world of pop music-making.
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A staging of “The Thanksgiving Play” needs to be rooted in the dramatist’s demand that the script shock: it should traumatize the ancestors of the perpetrators.
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A story of divorce and self-discovery may be worth telling, but it suffers when it is interwoven with a life narrative that is clearly weighter.
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Because this “play” relies on audience participation, Vinny DePonto selects inevitably befuddled men and women from the audience on which to demonstrate his mental prowess.
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Theater Reviews – A Musical Mixed Bag on Broadway
Capsule reviews of five new musicals that opened this month on Broadway.
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