Theater
My advice: see this show in Boston before it settles into New York for what should be a long run.
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As satisfying as this incomplete work is — much like Schubert’s “Unfinished Symphony” — we can still regret not being able to experience the completed work.
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Dramatist Lloyd Suh takes us on an inner journey by weaving silences into his script that encourage his characters (and us) to reflect and pause.
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Murder mystery and farce can coexist in the same play… for a time, at least. Eventually, the two will pull apart, however, as they do in this production.
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A Stephen Sondheim flop returns in triumph, while his final show tantalizes with what could have been.
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This well-directed and performed production of a musical about the universal longing for connection delivers a stirringly heart felt experience.
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This “Rocky Horror Show” for the Gen Z set contains (at least potentially) enough flash and zap to successfully put across a new take on a campy cult classic.
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The “new” version of the Blue Man Group is all mayhem, all the time.
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The late Robert Brustein’s shadow is long. But his legacy is problematic.
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Arts Commentary: More Cultural Coverage — But Less Culture?
The journalistic value of blathering out weekend tips to the ears of the comfortable in a social media world awash with likes is dubious.
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