Theater
The Huntington Theatre Company’s production of Molière’s classic is bright and energetic.
Probably as it should be for a group called the Actors’ Shakespeare Project, the performances in Julius Caesar are the thing.
Leann Osterkamp’s playing is rhythmically alive and sympathetic to Leonard Bernstein’s style; Seong-Jin Cho shows that he is an important pianist to watch.
Scripts like The Hearing also provide an optic through which to examine our own nation’s problems.
What we don’t know about the brain and the heart drives this at times unwieldy, yet ultimately satisfying, theatrical work.
The irony implied by Junk after the curtain goes down is the realization that white collar crime does pay.
Director Courtney O’Connor, the Nora Theatre, and its skilled cast do right by this hilarious historical comedy.
Sleeping Weazel stages a gutsy production of an angry, ugly, and essential history lesson.
Stage Commentary: “The Boston Globe” to Boston Theater — Drop Dead?
Critics were once seen as the ‘canaries in the mineshaft’ — now newspapers and magazines are closing down the mines.
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