Theater
A manipulative entertainment that sets out to confuse theater and therapy.
Despite its drawbacks, this is a powerful production that speaks to what is happening today.
This Proof’s weakness comes from the thinness of its lead performances.
Road Show is unlikely to top anyone’s list of Sondheim favorites, it’s an often entertaining take on a quintessentially American story.
As a storyteller, Rohina Malik exudes warmth and humanity.
Ultimately, this production of Lost Girls might have gone deeper if it had been slowed down a bit.
SpeakEasy Stage Company’s production of Shakespeare in Love comes off as lovely, temperate, and at least a little trite.
KNYUM is unlike anything else New England theatre currently has to offer — in the best possible way.
Ada/Ava is an impressive theatrical feat that finds a new, and invigorating, way of telling a story on stage.
Perhaps the theatre of millennials will resemble Reality TV, resistant to suggestive metaphor and the rewards of complex narration.
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