Theater
The Cake is a smart, stinging, and eerily timely comedy that feels timeless.
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Ruby Rose Fox’s artistic/political mission with Salt is clear: the singer wants to look back at and revamp the radicalism of the ’60s.
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It is heart-warming that, in these “worst of times,” playwrights like Carey Crim are working quietly to give us a look at new beginnings with humor and tenderness and hope.
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Do the games of the Marquise and Valmont still have the same old sinful fire and political relevance?
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Flat Earth Theatre has made a bold and relevant programming choice, taking on a play that examines how technology can both shape our illicit desires and fulfill them with ease.
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Apart from a few weak elements, GBS’s Calendar Girls is a well-acted, well-staged comedic romp filled with wit, warmth, and genuine insight.
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A delicious, comforting gumbo of a Wiz with all the right ingredients for an upbeat, entertaining evening (or afternoon) at the theater.
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Evening at the Talk House is a savage indictment of our country’s acceptance of the immense, horrific violence necessary to maintain our consumer comforts.
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Fall’s conflict is presented with insufficient power; its domestic tragedy is not propelled along its inevitably troubling course.
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Theater Commentary: American Drama — A Diminished Force
We will not get another Angels in America unless we demand it — and stop accepting bogus substitutes.
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