Theater
The Black Clown commands the vastness of the Loeb’s stage with an enviable energy.
Sexy Laundry airs the linen of a twenty-five-year marriage from which the colors seem to have faded, and the whites yellowed.
Mothers and Sons is one of veteran playwright Terrence NcNally’s finest works.
Three theaters in the Berkshires offer differing views of the past.
George Bernard Shaw’s The Man of Destiny could be an evening of delight with a frisson of cerebral exercise.
The Barrington Stage Company’s moving and fiercely energetic production brings West Side Story back to the stage with a bang.
A newly published book of translations and two upcoming Boston-area stage productions confirms the enduring elemental power of Federico García Lorca.
Commonwealth Shakespeare Company’s Richard III is a deft, gripping version of Shakespeare’s vision of malevolence, staged with verve and vision.
August Strindberg’s Creditors turns out to be a play that speaks chillingly to our time.
Theater Commentary: Can Audiences Rescue Theater Criticism?
Will working with audiences encourage stage companies and theater artists to go beyond the status quo? Or just cement them into their sweet spots?
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