Theater
What makes Portland Stage’s production of Earnest such a delight is its physicality.
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Imaginary Beasts’ Winter Panto 2019 proffers plenty of enthusiasm, wit, and panache.
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The Night Watch supplies a powerful kickoff for the Gamm Theatre’s 2019 season.
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Qualms aside, Slow Food is an enjoyable show that taps into the uncertainties of middle-aged parents who must confront a strange, new life without the kids.
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I strongly advise you to explore the wizardry of Manual Cinema — its potential is considerable.
The Oregon Shakespeare Festival production of Othello lacks a tragic dimension not because it highlights Othello’s “Otherness,” but because it eschews any vestige of grandeur or nobility.
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Director A. Nora Long’s decision to collaborate with an all female-identifying design team and crew underscores her commitment to a feminist vision.
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This is yet another sentimental exercise in the mechanics of mother/daughter rapprochement
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Heartland proffers a rare combination — it is a prescient history lesson that also works dramatically.
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A Doll’s House, Part 2 comes off as a return to the barn — after the door has fallen off its hinges.
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Arts Commentary: Rich in Creativity — But Nothing Else