Theater
In two short acts, playwright Win Wells depicts not so much a relationship as a fusion, a merging of identities into one single, complex personality.
Faye Dunaway has chosen Tea at Five as the vehicle to bring her back to Broadway after a 37-year absence. Would that she had waited a bit longer for a vehicle more worthy of her considerable talents.
Expert performers and taut direction make this Cloud 9 a natural high.
What did this aging hippy, this elder of our world learn? To live a life without apologies.
Melinda Lopez’s superb new translation of Yerma makes the language of the play approachable, even conversational, without losing the beauty of Lorca’s poetry.
Written more than a decade ago, Mahida’s Extra Key to Heaven falls all too painfully closely in line with current events.
Lighting Martha delves into the psychological tensions generated by alternative lifestyles — many, many decades ago.
Pacific Overtures offers a history lesson — but it is an entertaining, moving, thought-provoking, and timely one.
This marvelous production pulls off a tricky balance — vibrant bursts of creative energy are put at the service of illuminating the thorny nature of memory and guilt.
Theater Commentary: An Open Letter — to the “Open Letter”
The media big boys should be part of the discussion, if only because they have the resources to change the situation for the better.
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