Theater
What has made for a successful life in the theater? Living by the values Vincent Murphy imbibed as a member of Boston Children’s Theatre in the ’60s: “cooperation, creativity, listening, and play.”
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Once again, the innovative CST/Catalyst Collaborative@MIT project proves that there are inspiring stories of women’s contributions to science that need to be told.
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It’s likely, the playwright suggests, that Americans are incapable of getting out of their own way long enough to cooperate in ways that do anything about the challenges that we face as a society and a country, let alone the world.
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“For this season, I did not want us to do a ‘greatest hits.’ I did not want to limp away. This is our last full and robust season, but not our last time producing plays.”
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The high spirits and tolerance in this enjoyable production reinforce the director’s claim that this comedy is about expats striving for “a more balanced, egalitarian society.”
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“The Heron’s Flight” is, in many ways, a hopeful antidote for the fear generated by these difficult times.
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The Off Broadway revival demonstrates how 10 years of dedicated work can make a mediocre musical even worse.
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It is entertaining, but Lindsay Joelle’s script supplies only a tiny, sometimes contrived glimpse at a profession that deserves to be treated with more nuance and understanding.
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The strongest element in this Arlekin production is the indelible stage images of loss and love, death and despair, memory and resilience, dreamed up by director Igor Golyak and his talented production team.
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Theater Preview: Beckett, Williams, Beau Jest, and “Last Call” for Provincetown’s Tennessee Williams Festival
When Beau Jest Moving Theatre heard this was to be the last fully-produced year of the Provincetown Tennessee Williams Theater Festival, and that this year’s theme was Last Call — a look at the work of Williams in conversation with the work of Samuel Beckett — we knew we wanted to be a part of it.
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