Theater
The play eventually packs a wallop, but it drags its feet at the start.
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The Front Porch Arts Collective’s engaging revival of Katori Hall’s drama comes at a propitious time.
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Given all the chaos and violence around us, isn’t it a mite too late for a subtle play like “Our Town” to be considered a “primal scream?”
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“If my work does have a recurrent theme, it is the pressure of the political/historical moment on individual choice.”
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Playwright Eboni Booth won last year’s Pulitzer Prize for Drama for this script, and it is a heartwarming, well-constructed, one-act.
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What has made for a successful life in the theater? Living by the values Vincent Murphy imbibed as a member of Boston Children’s Theatre in the ’60s: “cooperation, creativity, listening, and play.”
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Once again, the innovative CST/Catalyst Collaborative@MIT project proves that there are inspiring stories of women’s contributions to science that need to be told.
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It’s likely, the playwright suggests, that Americans are incapable of getting out of their own way long enough to cooperate in ways that do anything about the challenges that we face as a society and a country, let alone the world.
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“For this season, I did not want us to do a ‘greatest hits.’ I did not want to limp away. This is our last full and robust season, but not our last time producing plays.”
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Theater Preview: Beckett, Williams, Beau Jest, and “Last Call” for Provincetown’s Tennessee Williams Festival
When Beau Jest Moving Theatre heard this was to be the last fully-produced year of the Provincetown Tennessee Williams Theater Festival, and that this year’s theme was Last Call — a look at the work of Williams in conversation with the work of Samuel Beckett — we knew we wanted to be a part of it.
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