Theater
I asked Davis Robinson, artistic director of the Beau Jest Moving Theatre, to share his thoughts on the 100th anniversary (March 26th) of the birth of playwright Tennessee Williams.
Read MoreDirector and woman as I am, I would love to see A Streetcar Named Desire, Cat on a Hot Tin Roof, even The Rose Tattoo, cast with all men. Then I would push some courageous director to attempt to prove on stage that Williams’s final plays are not the work of a declining talent, but…
Read MoreWilly Russell’s play is a keeper. It’s tightly-crafted, emotionally generous, and—most of all—FUN! It provides one hell of a dramatic vehicle for a director attuned to the comedy of “higher” education. Educating Rita by Willy Russell. Staged by the Huntington Theatre Company at the Boston University Theater, Boston, MA, through April 10. By Helen Epstein…
Read MoreBare chested and sweating up a storm, singer Gavin Creel as Prometheus makes for a rock rebel with lots of snarly attitude, defying Zeus’s tyranny by flexing his abs.
Now that dramatist Neil LaBute’s scripts are being produced on Broadway he has fanned the earlier whiffs of amorality in his work away. The obscene language and provocative hooks remain, but those are not a bar to popular success (think of David Mamet).
Read MoreIn The Necessity of Theater, author Paul Woodruff makes way for wisdom as theater’s final gift. In his view, theater’s wisdom lies in its use of the mask, and that mask is the sine qua non of meaning. The mask must conceal, if only to reveal. The Necessity of Theater: The Art of Watching…
Read MoreDramatist Theresa Rebeck’s updated version of Ibsen’s play strengthens one key aspect of A Doll’s House—its picture of savage incomprehension between man and woman, which drives Ibsen’s call for independence and self-respect in a society that rewards complacency, greed, and childish role-playing. DollHouse by Theresa Rebeck. Based on A Doll’s House by Henrik Ibsen. Directed…
Read MoreReviews of eight stage productions in London, with two terrific shows noted: American dramatist Bruce Norris’s powerful study of racial relations, Clybourne Park, and Alan Ayckbourn’s 1980 farce Season’s Greetings. Another winner on the West End, the critically acclaimed War Horse, comes to New York next week. By Joann Green Breuer Penelope by Enda Walsh…
Read MoreThough it ends on an image of uneasy forgiveness, Ajax revolves around a worm hole of irrationality – Athena takes extreme actions and makes uncompromising demands but still insists on the “balance” of the gods
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