Theater
My advice: see this show in Boston before it settles into New York for what should be a long run.
As satisfying as this incomplete work is — much like Schubert’s “Unfinished Symphony” — we can still regret not being able to experience the completed work.
Dramatist Lloyd Suh takes us on an inner journey by weaving silences into his script that encourage his characters (and us) to reflect and pause.
Murder mystery and farce can coexist in the same play… for a time, at least. Eventually, the two will pull apart, however, as they do in this production.
A Stephen Sondheim flop returns in triumph, while his final show tantalizes with what could have been.
This well-directed and performed production of a musical about the universal longing for connection delivers a stirringly heart felt experience.
This “Rocky Horror Show” for the Gen Z set contains (at least potentially) enough flash and zap to successfully put across a new take on a campy cult classic.
The “new” version of the Blue Man Group is all mayhem, all the time.
The late Robert Brustein’s shadow is long. But his legacy is problematic.
Arts Commentary: More Cultural Coverage — But Less Culture?
The journalistic value of blathering out weekend tips to the ears of the comfortable in a social media world awash with likes is dubious.
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