Theater

Theatre Review: 1001 — Fun Until the Scimitar Falls

July 21, 2011
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Dramatist Jason Grote spins a postmodern, political variation on Scheherazade in his play 1001, and while it skimps on the imaginative playfulness of other versions, its time-tripping allusiveness has a scruffy intellectual charm.

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Theater Review: Kander and Ebb’s Elegant and Understated “World”

July 16, 2011
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While this revue of Kander and Ebb tunes doesn’t have a plot, much dialogue, or even named characters, it does contain stories, funny and touching vignettes of ordinary lives.

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Theater Review: The Venetian Twins — Commedia dell’arte Done Hilariously Right

July 15, 2011
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While by no means the headiest permutation of commedia dell’arte, Shakespeare & Company’s production of THE VENETIAN TWINS is skillful as anything a commedia enthusiast might hope to see.

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Theater Review: Matt & Ben — Nobody’s Home

July 14, 2011
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In his book Amusing Ourselves to Death, Neil Postman argues that American culture is becoming dumber and dumber—plays like Matt & Ben suggest that we have entered the afterlife. Matt & Ben by Mindy Kaling and Brenda Withers. Directed by M. Bevin O’Gara. At the Central Square Theater, 450 Mass. Ave., Cambridge, MA, through August…

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Theater Review: Six Young Actors (and Their Director) In Search Of a Play

July 11, 2011
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There are moments in Hideous Progeny (especially early in the second half) that grip and move the audience. But there are not enough of them. I dare this gifted troupe of theater makers to be more inventive, take greater risks, and live up to their so obvious promise. Hideous Progeny by Emily Dendinger. Staged by…

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Theater Review: Jane Austen Tweets In Chester, MA

July 11, 2011
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The Chester Theatre Company’s production, directed by Ron Bashford, runs over two hours with nary a dull moment and the actors seem to be having as wonderful a time as the audience.

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Theater Review: “Arms and the Man” — A Workmanlike Serving of a Shavian Confection

July 6, 2011
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There is nothing shocking, nothing sensational, nothing revelatory, in this workmanlike production of ARMS AND THE MAN. Nor should there be, as the play doesn’t give much room for innovation.

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Theater Review: All’s Well, I Guess — Girl Gets Boy, Boy Ditches Girl, Girl Gets Boy Back

July 5, 2011
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The likable Commonwealth Shakespeare Company staging leans very heavily on the comedy in ALL’S WELL THAT ENDS WELL, minimizing the Bard’s melancholic undertow.

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Theater Review: Houston, We Have a Problem with “2010: Our Hideous Future: The Musical!”

July 3, 2011
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Enthusiasm simply wasn’t enough to salvage the production — the musical comedy 2010 contains too many pitfalls to overcome.

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Fuse Theater Review: Shakespeare in Paris

July 3, 2011
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The production is set in France of the 1920s and artfully combines evocations of both Paris and the Forest of Arden: The city of lights is represented by miniature versions of famous landmarks: the Arc de Triomphe; Notre Dame, the Eiffel Tower — that twinkle at night and serve as props as well as set.

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