Review

Doc Talk: Advertisements for Himself — “How to Come Alive with Norman Mailer”

August 15, 2024
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A testament to the power of benignant narcissism.

Opera Album Review: One of Saint-Saëns’s Best Operas — Finally on Disc!

August 15, 2024
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We have a recording of “Déjanire,” its first ever. And it’s splendid, with a superb cast, an insightful conductor, and the orchestra and chorus of the very city in which it was first performed a century earlier!

Film Review: Birds of Prey — Time of the “Cuckoo”

August 14, 2024
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“Cuckoo” bridges the experiences of cis and trans women together with overlapping concerns about how our bodily autonomy is increasingly controlled by patriarchal forces.

Book Review: “Unterstadt” — A Nightmare Journey Into ‘The Lower City’

August 14, 2024
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“Unterstadt” is valuable, and not only because it memorably excavates a repressed episode in Croatian history. The novel also has considerable relevance, given the savagery besieging the innocent in today’s conflagrations.

Book Review: “Beneath the Mountain” — Revealing the Links Between Enslavement and Incarceration

August 12, 2024
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This collection of essays, excerpts, letters, and a few poems is a powerful and necessary tool for educating anyone willing to learn about — and confront — the injustice and hypocrisy of our country’s monstrous system of incarceration.

Book Review: Neoliberal Soup for the Fledgling Capitalist Soul — “The Algebra of Wealth”

August 12, 2024
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Serious individuals of all stripes seeking candid yet pragmatic life, career, and financial guidance will find much to savor in this book.

Book Review: Doing the “Art Monster” Mash

August 11, 2024
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The art monster is messy, ambitious, and narcissistic but couldn’t care less about what you think. Are you frightened?

Concert Review: Boston Landmarks Orchestra — Weighty Fun

August 10, 2024
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Conductor Christopher Wilkins and Boston Landmarks Orchestra routinely present serious, challenging programs: but there is always room left for some partying.

Jazz Album Reviews: Jazz Composers’ Omnibus 2024

August 10, 2024
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Each of these four projects requires deep attention from a listener. Only two of them repay that attention with the musical rewards that bring a listener (this listener, at least) back for rehearings.

Jazz Concert Review: Multi-Instrumentalist Andrew Lamb — Old-School Free Jazz, Done Right

August 10, 2024
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Multi-instrumentalist Andrew Lamb, with his spiritual imperative, is clearly seeking, and achieving, incantatory power.

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