Review
“The Devil’s Bath” demands your full engagement; along with its primordial intensity, a great deal of subtle intelligence lies beneath its visceral surface.
This is the first US museum exhibition for Paula Modersohn-Becker, and one of the crucial shows to see in New York this summer.
The debut album of Decoda, the first – and, so far, only – affiliate ensemble of Carnegie Hall, and a disc featuring a trio of works by two mid-century Chicago-based composers, Florence Price and Leo Sowerby.
Some solidly impressive Mozart — aside from the filler, fifteen minutes of mono-dynamic, schlocky medleys.
It really bums me out to tell you that “MaXXXine,” the much awaited final film in the “X” trilogy, is an underwhelming ending to an otherwise interesting nu-slasher series.
Two discs: Jamaican-American musician Jordan Bak celebrates music for the viola and a reconstruction of Charles Martin Loeffler’s abandoned Octet.
The music on David Murray’s” “Francesca” is both antic and intense; it’s played by a responsive and inventive quartet who sound like they are having considerable fun entertaining themselves.
The latest film from Yorgos Lanthimos is a confusing mishmash of forced weirdness.
Considering that none of Guillaume Guillon-Lethière’s history is familiar, absorbing this scholarly exhibition, which is accompanied by extensive labels and wall texts, is demanding.
Book Review: “Big Fiction” — Is the Author Hive-Mind or Queen Bee?
On closer inspection, Dan Sinykin’s notion of a “conglomerate author” is largely a fiction.
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