Review
Returning to Gillette Stadium in Foxborough on Thursday night, the Rolling Stones, miraculously, sounded dangerous again.
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There is no denying that “Kidnapped”‘s warning about political authority abusing religion for its own accumulative ends resonates powerfully at this moment.
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Two Boston-area chamber music ensembles recently ended their seasons. Each embraced the present in its own distinctive way.
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The script is representative of the pitfalls of current theatrical minimalism — less can so easily be less.
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The reissue of this novel now is valuable, beyond its considerable historical and aesthetic virtues, because it makes pertinent points about today’s world, bedeviled by war, misery, poverty, and the enticing lure of despotism as an answer to democracy’s shortcomings.
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It is ironic — but understandable — that 50 years ago only a handful of people experienced what has become one of the iconic happenings of 20th century art.
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It is early in the season and my heart is hopeful, dear reader, that Bridgerton will re-capture its former magic.
Read MoreFilm/Album Review: “Omar Sosa’s 88 Well-Tuned Drums” — A Superb Documentary About a Brilliant Artist
Part of what makes pianist Omar Sosa such a fascinating (and successful) musician is how his complex music constantly dances back and forth, between charming the mind and charging up the body.
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We should take courage from this splendid work about how truth and justice triumphed over stupidity and prejudice, and how much the loyalty and love and determination of one remarkable family could accomplish a hundred and thirty years ago.
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The “Mad Max” series is one of the few franchises in history that’s only gotten better with age, likely because George Miller’s refined and tinkered with his distinctive vision via each new development in filmmaking technology.
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