Review
Long one of the most-performed French operas, “Le Prophète,” thanks to some splendid performances, feels as vivid and relevant as ever.
This new album from Norma Winstone and Kit Downes is a marvel.
Themes of class, race, and artistic appropriation reminiscent of “American Fiction” lurk beneath “Crumb Catcher”‘s generic conventions.
“Goyhood” can be larger than life, and its plot is a real doozy, but this isn’t a lightly comic excursion: the religious and social consternations that roil the brothers Belkin are as earnest as they are outlandish.
Happily, the string orchestra A Far Cry has the skill to back up its good intentions with good music.
Fred Waitzkin’s beautiful, sad book will stay with me forever.
There’s more horror on the horizon, but “Longlegs” will undoubtedly stand as one of the buzziest chillers of 2024.
Despite several great sets including Jason Isbell and Iris DeMent, Wilco stole its own show at Solid Sound with conceptual aplomb.
“The Devil’s Bath” demands your full engagement; along with its primordial intensity, a great deal of subtle intelligence lies beneath its visceral surface.
Design Review: The Look of the 2026 Milano Cortina Winter Olympic Games