Review
You want Baroque energy and Early Classic poise? Here’s a first-rate recording of a one-act, one-singer opera by Telemann along with some of his imaginative orchestral works.
Goose’s three nights seemed a bit hit-and-miss, which is not unusual for jam-bands, although that only made highpoints more exhilarating.
Spanish director Victor Erice looks back at what’s lost and gained in “Close Your Eyes”.
“The Front Room” lacks the suspense and tension of “My Mother the Car” and, on top of that, it doesn’t have the benefit of a super-catchy theme song.
Despite excessive hero-worshiping, “The De Palma Decade” is a thoroughly enjoyable portrait of director Brian De Palma, the counterculture master of the scream scene.
A success in 1890s London and New York, the engaging Irish comic opera “Shamus O’Brien” finally gets Its world-premiere recording
A round-up of new children’s books that celebrate diverse cultures.
When it comes to defining American music, Pacifica Quartet’s new recording offers some welcome food for thought.
Beyond rich allusions to the past, Jeremy Frey and his generation of basket-makers are also creating objects that will leave your eyes spinning.
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