Review
The enormously entertaining “A Virtuous Business” also offers a lesson in nerve and resilience that women everywhere should learn from.
“Stasio” is an exercise in noir fiction with the intellectual depth we expect from our best writers, compounded by the lyricism of Tamas Dobozy’s style, crisp dialogue, wit and humor, and well-drawn characters.
Few other films this year will match the absurd satiric heights of director Guy Maddin’s “Rumours”.
This 65-year-old recording features some of the best players in L.A. and it is bright, sharp, and revealing. There’s plenty to marvel at here even if I would have wished for more ballads and fewer Stan Kenton-like brass fanfares.
At The Boston Palestine Film Festival: a recognition of what remains and a restoration of what is lost.
Three fine documentaries at the NYFF: two delved into political matters, the third looked around New York City in 1965.
Cédric Kahn’s conventional but fiery true-life courtroom drama hones in on French racism and anti-semitism.
“Hard to Watch” lays out a pragmatic path — directions for how to preserve your time and attention — that will help just about anybody engage with any kind of art thoughtfully and purposefully.
The recording proves to be both an excellent example of Andrew Hill’s unusual creative methods, particularly the wonderful results he managed to get with ensembles.
Book Review: “The Miró Worm and the Mysteries of Writing’ — Pursuing Creative Inwardness
The ascendancy of digital life is acknowledged as unshakable, but in these essays Sven Birkerts offers useful insights into how serious writers can carry on.
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