Review
With the release of “Wild God,” his stirring 18th studio album, it seems as if the charismatic poète maudit has achieved, and more impressively maintained, his own version of peace.
The Toronto International Film Festival (TIFF) had much to offer this year, once you walked through construction debris to get to the theaters. Here are some films worthy of note.
As the run continues, the torrent of gags will probably settle into place and proper narrative rhythms emerge. But for now, the game’s aground.
There’s plenty of potential in Tony Meneses’ script about men sharing their inner lives with other men, but it is filled with too many silent types.
This novel is a fun, light read. But best-selling author Richard Osman needs to take more time to delve into his characters if he wants to equal his previous cozy mysteries.
“English Teacher” is a wearier, snarkier version of “Abbott Elementary”.
Paul Jacobs, the day’s reigning organ virtuoso, has assayed a fascinating assortment of Americana that showcases the King of Instruments against an orchestra.
What Ian O’Donnell underlines so powerfully in “Prison Life” is the necessity of positive human interaction anywhere, including among incarcerated citizens.
The Boston Early Music Festival announces its 2024-25 season, and our critic welcomes world-premiere recordings of operas by Mondonville and Destouches, splendidly sung and glitteringly played.
Book Reviews: Joan Acocella and Andrea Marcolongo — Writers Who Think Fearlessly
Joan Acocella is more than a critic. She is a thinker, writing at a time when thinkers are not valued much, when exegesis in places other than scholarly journals sometimes seems like a lost art.
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