Review
There was, after all, something Faustian in the prospect of an elixir that promised to reveal glimpses of the divine while simultaneously burning pits of fire in the seeker’s brain.
In director Steve McQueen’s “Blitz”, chaos can be a scary but exciting adventure, as tragedy and trauma mingle with the magic of a fairy tale.
Choreographer Heather Stewart’s use of the stage space, while not “immersive” by the standard art world definition, is inventive and meaningful.
Director Jamie Lloyd’s loud and brash revival is all sound and fury, signifying nothing.
It is a great gift that the Gardner Museum has made such a strong and lively exhibition, presented exclusively in Boston, devoted to Manet.
“The Old Country” is a wonderful addition to the Keith Jarrett discography. There are no stale leftovers here — this album adds a whole new course to the pianist’s extraordinary banquet.
The performance of the Jerusalem Quartet was marked by considerable poise, polish, and personality.
Memory – elusive and essential, tormenting and inescapable – serves as a theme for several of the documentaries in this year’s BJFF.
Just weeks apart, two different groups have made their way to Boston on international tours – without Robert Fripp but with his blessing – their shows focusing on a specific era of King Crimson’s existence.
Saturday’s finale of a two-night Roadrunner stand, the Dresden Dolls’ first Boston shows since 2017, raged as a celebration of camaraderie and catharsis.
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