Review
In Godwin Louis’s music, prayer seems best expressed in dance.
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Carlos Simon’s gifts and voice are real even, as with every composer, his muse sometimes leads him down errant pathways.
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There’s plenty in Magnus Lindberg’s viola concerto to occupy the ear, and pianist Claire Huangci makes the complex passagework of a trio of American composers speak with breathtaking ease.
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To his credit, Mark Cousins does provide some insights into Alfred Hitchcock’s motifs and obsessions, from doors to staircases to creepy, dank interiors crammed with gizmos, gewgaws, and cobwebs.
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A reviews of a trio of standout films at this year’s New York Film Festival: Mati Diop’s “Dahomey”, Marta Mateus’ “Fogo do Vento”, and Jem Cohen’s “Little, Big, and Far”.
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At the Woodstock Film Festival: the stunning documentary “The Remarkable life of Ibelin” and Mike Leigh’s rich and powerful “Hard Truths”.
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The Boston Chamber Music Society’s greatest strengths lay in its skill in letting the music breathe.
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The music in Avishai Cohen’s album, written and recorded soon after Oct 7, expresses a persistent hopeful gentleness.
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“Separated” is a compelling, urgent, and essential examination of an ongoing injustice that every American should see and ponder before going to the polls.
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This show brings together works that emphasize an optimistic view of where we are by dramatizing ways in which we can develop a more empathetic connection with the struggling environment.
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Arts Feature: Best Movies (With Some Disappointments) of 2025