Review
For those who are new to rom-coms, “Falling in Love at the Movies” is an informative introduction to their mechanics.
At its best, this script offers an opportunity for audiences to cast a backward glance at the first stirrings of dramatist Lynn Nottage’s prolific canon.
The new bio-doc about producer-musician Brian Eno looks at the artist’s life and his creative process in a deliberately provocative new format.
Like all accomplished directors – and architects – Brady Corbet has orchestrated a team of outstanding collaborators into shaping his vision.
In their latest divinely idiosyncratic romp, Wallace & Gromit take on the threat of that most impersonal and worrisome technology: AI.
This is a chilling tale of the (last) Cold War, and footage of Teslas and iPhones serves as a potent reminder that the struggle for global natural resources, in the Third World and beyond, continues.
Let’s hope that “The Last Showgirl” launches a new phase in Pam Anderson’s career.
“Pepe” is an immense achievement: one of the most formally and politically radical narrative films to turn up on the international festival circuit in 2024.
When performed with this high level of polish and poise, even Mozart’s darkest music can make you smile.
“The Damned” is a perfect little ice-cold January horror gem blending historical, psychological, and folk chills into a bleak midwinter’s tale to keep you up through the longest nights of the year.
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