Review
Everyone is a bit more stupid than they need to be in this movie, both the Germans and the Jews.
Read More“The Haunted Life” is little more than an example of the staggering amount of work it takes for a writer to find his voice, a testament to the years of toil Kerouac put in before forging a style all his own.
Read MoreThe five compositions and one de facto suite played at the NEC Winds and Winds Ensemble performance spoke with six different voices and carried six different messages.
Read MoreGiven all the terror and brutality we have lived through just in the thirteen years of this new, 21st century, the story of people running drugs back in the ’70s doesn’t seem to have much urgency.
Read MoreThe point of the Spring Quartet, one assumes, is to showcase its four multi-talented members, particularly their talents as composers.
Read MoreAll the prancing about onstage with planks of wood, actors climbing into eight-foot large puppet skeletons, is marvelous to behold, but it makes for an uneven, confusing production.
Read MoreIf “Salome” was a harbinger for what’s to come, we may be on the cusp of a golden era, indeed.
Read MoreDirector Wes Anderson’s “The Grand Budapest Hotel” presents a frenzied feast of lavish and preposterous set pieces, performances, and tall tales.
Read MoreStephen Hough’s performance of piano works by Brahms and Chopin was enthralling, poetic, and spellbinding.
Read MoreQuatuor Ébène burst into song. And I think it’s safe to say singing of any kind is almost never heard at a strings-only concert.
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