Review
Had Daniil Kharms’ texts been available at the high tide of the Theater of the Absurd, his plays would be performed alongside those of Samuel Beckett and Eugene Ionesco.
Back To Fort Scott, a compact, affecting exhibition of meticulously printed black and white photographs, is like a grainy, retro speed bump between the museum’s adjacent galleries.
The comedy-tinged-with-drama touches on themes tackled by a bunch of recent indie movies that center on characters in their thirties and forties who feel like imposters in the world of adults.
H. relies on clever editing manipulations and pithy reaction shots rather than on flashy special effects.
Had they not had interesting and flourishing careers already in place, Elizabeth Schumann and Gloria Chien could give many full-time piano duos a run for their money.
True Story relies far too heavily on answering the formulaic question ‘Did he do it?’
For these artists, African origin is the foundation that should guide the development of Cuba’s national personality and consciousness.
Two powerful documentaries that explore the dark side of America, past and present.
Joseph Calleja’s voice is absolutely gorgeous, and he has been compared to the great Golden Age tenors Gigli and Caruso.
Today’s Broadway is at its best presenting blockbuster spectacles like Wolf Hall and An American in Paris.
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