Review
“Nickel Boys” is an unsettling, yet gorgeous, cinematic adaptation of Colson Whitehead’s Pulitzer prize-winning novel.
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When Barry Schneier felt it was time for his next photography project about musicians, he decided to get to know his subjects, not just shoot them.
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“All We Imagine As Light” is an absorbing celebration of female friendship.
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“Babygirl” comes off as a rather lascivious take-down of yet another older woman who has everything she wants except … sexual excitement.
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Is it possible to reclaim a marginalized legacy? And how do you step up to take a seat at the table when your history has been neglected and forgotten?
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After five decades of blending strong technique with playful satire, the Trocks continue to impress, but some of their once-fresh humor feels a bit played out.
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Perhaps director Marielle Heller decided that “Nightbitch”‘s unusual premise had to be balanced with a decorous storytelling trope.
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It seems every year the quality of feature films, especially those from mainstream studios, is getting worse, while that of documentaries is getting better.
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Interviews with a pillager – “Plunderer” examines Nazi art theft at DOC NYC; two other docs remember Artsakh, a country that is no more
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Lutz Seiler’s novel is part of the post-reunification literature landscape, in this case a brilliant exploration of the personal and political viewed through the consciousness of a pensively bedeviled protagonist.
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