Review
The keyboard wizard’s latest album both continues a trend of expansive projects that take the long view and celebrates the decade-plus the virtuoso has resided in the United States. It is a blast.
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“PoemJazz” is a project where music and poetry reinforce each other, where the declaimed poetry works like the sung line of a song — though Robert Pinsky never sings or pretends to.
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More than the threat posed by the ghost, “Presence” is desperately terrified of ambiguity.
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The publication of “There Is a Deep Brooding in Arkansas” is especially welcome and necessary at this time.
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One of translation’s greatest powers — its ability to take a text out of one historical period, literary tradition, language, and set of conventions and transplant it into another — is a delicate procedure.
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“Enigma” is as unlike the standard sports documentary as a Cybertruck is to a F-150.
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In a production filled with emotional intensity, Audra McDonald delivers a powerhouse portrayal that elevates a somewhat uneven staging.
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The power of cinema persists at the Boston Festival of Films from Iran.
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Few could doubt this satire’s relevance, given the alarming results of November’s election: a convicted felon, whose minions lean into racist and sexist tropes, is back in the White House.
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Another excellent recording from the “Rossini in Wildbad” festival, with spellbinding vocal performances by Congolese tenor Patrick Kabongo and other powerful young singers.
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