Review
For those with an appetite for lyrical absurdity, this dark and demanding journey into a bedeviled night will repay the effort.
Ace performances help make Night Side Songs a rich and moving experience, compounded by the fact that it is valuable to be in a room full of empathy and love in these trying times.
With so many cooks, flaws were inevitable. But the effort was noble, and hearing Terence Blanchard’s beautiful trumpet sound in Symphony Hall was a transcendent experience.
Richard Kreitner’s narrative shows that, in general, Jews were apparently no more intolerant of slavery than any other Americans – notwithstanding their spiritual and national history of liberation from bondage.
“The Triumph of Love” lacks the physical comedy and swift action that usually characterize a farce. Here the dialogue is the action.
Roger Clark Miller’s latest solo electric guitar ensemble album showcases him at his best, blending avant-garde experimentation with familiar guitar rock textures.
The current state of Hollywood — terminal banality — is concerning. But that’s what makes it so perfect for a dose of acidic satire.
Everyone who loves jazz, or makes a living somewhere in its world, owes a debt to many of the hard-working and under-paid writers of the Jazz Journalists Association (JJA).
Tracie Laymon’s comic drama about the serendipitous connection between a 25-year-old woman whose sense of self is fraying and a man stymied by loss is both entertaining and profound.
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