Review

Album Reviews: Danill Trifonov plays Rachmaninov and Michael Lewin plays Debussy

October 14, 2015
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Michael Lewin’s new album must surely rank among the most poetic and sensitive Debussy recordings of recent memory.

Film Review: “Power and Impotence” — A Cold Look at a Hot Story

October 14, 2015
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Divided into three acts and an epilogue, the film attempts to generate Shakespearean resonances, but the presentation is more mundane than tragic.

Film Review: “The Walk”—A Death-Defying Journey to Remember

October 13, 2015
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Philippe Petit’s feat has inspired an amazing documentary, and now an amazing feature film.

Jazz Concert Review: Mark Harvey and The Aardvark Jazz Orchestra—Boston Giants

October 12, 2015
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trumpeter–composer Mark Harvey’s imaginative conducting made the pieces work together in fascinating ways.

Film Review: “Drunk Stoned Brilliant Dead”—The Rise and Fall of the National Lampoon

October 12, 2015
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Drunk Stoned Brilliant Dead is mostly a straight-ahead telling of the vivid life of the National Lampoon.

Theater Review: “An Audience with Meow Meow”—Blinded by Glitter

October 11, 2015
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Meow Meow milks the audience for applause so often it feels as if we are seated on stools in a dairy barn.

Film Review: “Sicario”—Horror, South of the Border

October 11, 2015
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Whatever its flaws, Sicario goes a long way to informing us of what’s happening just south of the border — not driven by illegal immigration, but by American drug lust.

Dance Review: Ids in Captivity

October 10, 2015
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Most of the piece was carefully engineered; it seemed more calculated than liberated

Book Review: Gore Vidal—Bitchy, Elegant, Fascinating, and Sad

October 10, 2015
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Jay Parini has provided an important slice of literary and cultural history as well as a portrait of a man.

Theater Review: “Veils”—On Screens, Public and Private

October 9, 2015
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Veils moves from political rallies to private show-downs, from blog exposition to deft, direct, and sometimes swiftly nuanced dialogues.

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