Review
Director Victoria Verseau’s Trans Memoria is an oneiric, brutally frank meditation on the pains and rewards of transgender surgery.
The apocalyptic overtones of the Mekons’ music come across as alarmingly real as ever.
Three powerful albums showcase the imaginative visions of Arturo O’Farrill, The John Santos Sextet & Friends, and Rachel Therrien’s Latin Jazz Project.
Guest conductor Dima Slobodeniouk and the Boston Symphony Orchestra invited listeners to a meditative evening of music.
The Huntington Theatre Company’s production of “Don’t Eat the Mangos” commands attention with its blend of entertainment and enlightenment.
A clever British import and a soulful Cuban music-fest reflect a season that delivers the full range of musical storytelling Broadway’s been missing
Check out the book to absorb the trajectory of Doc Watson’s career from impoverished guitar player to becoming an icon of Americana, and a repeat winner of Grammy Awards.
Heartwarming themes of love lost and the emotional power of music are undercut by a script constructed for the sake of dramatizing ideas rather than characters.
The Sphinx Virtuosi is terrific: the group’s unified tone and articulations, impeccable responsiveness and technique, and command of stylistic nuance are all of the first rank.
The all-too-human propensity for not only telling yourself what you want to hear but taking what you see at face value is what drives the action.
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