Review
“Darkenbloom” is a hefty novel, in which a blood-stained, depraved swath of history is laid bare by in-depth examination of a narrow geographical sample (think “One Hundred Years of Solitude”, or, for that matter, “Gone With the Wind”).
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“Plastic” would have been much more effective if it had taken the form of an anime or a cartoon.
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Fascism is faced down in Walter Salles’s Oscar-nominated masterpiece.
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The healing powers of poetry is a sieve through which Ange Mlinko pours bitterness and disunity, cosmic and personal.
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This show is proof of the Harvard Art Museums’ commitment to display relevant work by living artists who are grappling with critical issues posed by our contemporary world.
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Put Bill Charlap in that camp of brilliant jazz originals who have plied their trade by playing songs by other people and making them definitively their own.
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Volume 1 in a new series from the BBC Philharmonic Orchestra and John Wilson whets the appetite for more music by the late-19th-century American composer Edward MacDowell.
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There’s something gleefully retro about his hour-plus-long jukebox.
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“Data Mind” contains a spiritual blessing — it teaches us how to praise life in a universe that is so broken it is determined to erase our humanity.
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Bottom line: “Live at the Montreux Jazz Festival 2023” captures the manic, mercurial energy that transformed the man born James Osterberg into the legend that is Iggy Pop.
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