Review
The five performers with Down syndrome danced along with three professionally trained dancers without disabilities — and they all looked wonderful.
Timelines bounce a bit through the loosely organized, vignette-rooted book, where the back half casually weaves through a checklist of characters and tales not to be missed.
The stunning painting is beautifully presented in this documentary, but the flood of references to other works of art and quotations from classical and Renaissance writers might make the film a bit slow going for someone with no background at all in Renaissance cultural history.
A unique, memorable summit of three intellectually minded luminaries who bridged jazz, classical, Latin and South Asian influences.
Conductor Jane Glover, marvelous soloists — including superstar countertenor Aryeh Nussbaum Cohen — and a superb chorus and orchestra invigorate one of Handel’s last and greatest works.
Errol Morris takes another look at Helter Skelter and the Charles Manson murders.
Director/actress Paola Cortellesi’s “There’s Still Tomorrow” is yet another bold cinematic plea for women’s rights.
Jackson Lears’s collection of essays and book reviews gets a few things right in its description of various kooks, oddballs, and mavericks who sometimes succeeded in moving history in their direction. But it gets far more wrong.
Bong Joon Ho’s “Mickey 17” is one of the most vicious, cruel, and savagely arch vivisections of our global economic and socio-political reality since… well… Bong’s 2013 movie “Snowpiercer”.
“A Man of No Importance” is a fitting finale for Paul Daigneault’s tenure as Artistic Director of SpeakEasy Stage Company because it is a paean to the power of theater as both an artistic expression and a place to discover community.
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