Review
There’s nothing wrong with preaching the value of empathy — but who would argue?
The play is at best a solid double off the Green Monster at Fenway, or more appropriate, a line drive into the ivy at venerable Wrigley Field.
In a period of comic book action dribble, 45 Years shows the world that films can probe reality, with enormous beauty and depth.
What’s most interesting about And Again is precisely what gets the least narrative attention.
It’s Twilight Zone eerie, as we embark on an anthology film of connected horror stories all happening on the Lost Highway.
Women still dominate the dance field as performers and choreographers.
The lightheartedness of the writing and Moore’s unkempt look are jarring, but the film effectively delivers lessons about progressive policies.
The Coen brothers, Joel and Ethan, provide an on-target parody in Hail, Caesar!, their funny period comedy set in ’50s Hollywood.
The Finest Hours gives the audience two hours of fast moving, visually pleasing, easily digestible entertainment.
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