Review

Theater Review: “Violet” — A Musical Quest for Healing

January 16, 2016
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In the theater, sentiment must be earned – Violet is moving and likable, but its pathos is only skin deep.

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Concert Review: Boston Artists Ensemble — Chamber Music Done Right

January 16, 2016
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The Boston Artists Ensemble performance was full of bravado, virtuosity, subtlety, and charm.

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Theater Review: “Disgraced” — Relevant, But Soap Opera

January 15, 2016
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Given the rise of radical Islamic terrorism, Disgraced is nothing if not timely.

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Theater Review: “The White Chip” — An Ambitious Primer on the Woes of Alcohol

January 14, 2016
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Sean Daniels displays a fearless desire to share his own battle with alcoholism, a disease that nearly destroyed his career and his life.

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Film Review: “Troublemakers” — Aesthetic Agitation on a Gargantuan Scale

January 14, 2016
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Land art is an outgrowth of the rebellious ’60s; radicalism taking the form of ambitious topographical rearangment.

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Theater Review: “Citizens of the Empire” — A Copycat Cosmos

January 14, 2016
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It is strange that Citizens of the Empire is so weirdly underdeveloped, given that it has been in development for quite a while now.

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TV Commentary: The Golden Globes — Reliably Disappointing

January 13, 2016
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The Golden Globes Equation: Glitz + Glamor + Action = Win.

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Book Review: The Lucidly Chilling “Massacre on the Merrimack” — The Woman Who Killed Indians

January 11, 2016
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Jay Atkinson does a great service to the complexities of history by portraying the bloody tragedy of each side’s mutually deadly incomprehension.

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Fuse Theater Review: “Via Dolorosa” — An Innocent Abroad in Israel

January 10, 2016
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Via Dolorosa would have been more effective if it had taken the form of a travel essay rather than a performance piece.

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Film Review: “The Revenant” — Where Have You Gone, Sam Peckinpah?

January 9, 2016
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The implausibility of The Revenant is jaw-dropping.

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