Review
Though the culinary tastes in this book are original and often complex, the recipes themselves are breathtakingly clear and often very simple.
The Obamas coming to speak was a rowdy “FU” from the progressive-minded Fest to the rest of Ted Cruz Texas.
Each piece was delivered in a different combination of popular dance and modern dance styles.
Bootycandy is sharp-witted and entertaining — but thoroughly sugary.
Socialism is no longer a discredited word, and Fo brings an impish sense of divine comedy to the clash between the haves and the have nots.
Pianist Vijay Iyer and trumpeter Wadada Leo Smith produce music that is precise and quietly evocative, peaceful and gently probing.
I’d seen all of these works on the Boston Ballet’s program once or twice in the past. They all seemed to improve with these additional viewings.
Paradise Lost’s Replay is nothing if not exuberant.
MJ Halberstandt’s script is at its strongest when his characters, and how they connect with each other, are the focus.
Lisa Dwan’s performance of these Beckett pieces in a totally darkened theater is powerful and, in the case of Not I, deliciously revelatory.
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