Review
Until its closing scenes, Captain Fantastic takes a complex look at the wisdom of bucking the system or joining in.
Thomas Bidegain’s film “Les Cowboys “ is political, but it is never heavy-handed.
Given the realities of music in 2016, it’s good to see a glitter-era icon who’s still alive and kicking.
There is much to like in this outdoor production of Love’s Labor’s Lost — the time passes by quickly and there are plenty of smiles along the way.
The Emperor of the Moon is a boisterous bit of family friendly late-afternoon entertainment under Shakespeare & Company’s Rose Footprint Tent.
There has never been a better time in America to reconsider the importance of television’s role in the political discourse.
Shakespeare & Company’s staging of Merchant of Venice is the strongest this critic has ever seen or could hope to.
Homophobia may not have been behind Freddie Mercury’s decision to keep the location of his ashes a secret, but it hardly ruins Mercury’s Ashes.
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