Review
“The Monkey” is a delightful exercise in black humor.
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Two heartfelt documentaries about the Hamas attack and hostage-taking have premiered at this year’s Berlinale and have been received respectfully, even welcomed.
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This H + H Society performance suggested Handel’s genius for generating joy.
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Revelatory reunions are a standard dramatic setup, which explains why it takes quite a while for “The Grove” to gather some theatrical steam.
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Music is one of the ways we experience time — Satoko Fujii and the musicians in “GEN” make it disappear.
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A trio of reviews of volumes on structures on paper and in the world.
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The album’s message about the triumph of A.I. is unconvincing, but the music, with its variety of sounds and tempos, its zigzaggy shifts, written and improvised, is totally engrossing.
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The 2025 Oscar nominated documentary shorts indict the justice system.
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It is a shame that international film festivals cannot be made accessible to wider audiences, but the trend toward online gatherings, such as the Online French Film Festival, is a good start.
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