Review
Their combined sound, made by two nested pianos, their lids off, aided and abetted by Jordan Hall’s superb acoustics, was irresistible.
It is proof of the translators’ skill that Krasznahorkai’s sentences work as well as they do.
Singer Sara Serpa refracts, bends, suspends, and shifts sounds and syllables, creating a kind of linguistic limbo.
Schimmelpfennig’s Winter Solstice is an important play by a major playwright.
The deeply personal nature of the music’s narrative drew some extraordinary music from Liszt’s pen.
This weekend’s concert fires on all cylinders. Don’t miss it.
There was an easy depth to the music, if such is possible, as if the musicians were digging in hard, but with the relaxed assurance that comes of a shared vision.
One marvels at Bill Frisell’s improvisations, which can be both surprising and songful.
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