Review
J. B. Priestly’s shallow characterizations keep his vision of moneyed skullduggery mundane rather than monstrous.
In Transit, Christian Petzold explores why the ghosts of Europe’s troubled past are stirring once more.
This is the most extensive public display of original J.R.R. Tolkien material for several generations.
The HTC’s Romeo and Juliet may be dressed in modern trappings, but the play’s elemental heart and soul are left fully intact.
To Sleep with Anger is a masterpiece, a powerful reminder that, however seductive the devil might be, he can be overcome.
Richard Pittman led the core players of BMV in a confident, evocative reading of the music.
The Boston Lyric Opera is mounting a fabulous staging of Benjamin Britten’s visceral opera.
Music Director Martin Pearlman had the excellent idea to cut out 6 of the 24 arias to make Jephtha move along, and it paid off.
The Bird King is an utterly lovely reading experience.
William Forsythe asks dancers to go beyond their mastery of technique — in order to have the music move audiences to a higher level of emotional involvement.
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