Review
Conducting Lumina, Andris Nelsons was entirely in his element, capably drawing out the music’s shimmering gestures — string flourishes, brass fanfares, woodwind filigrees, and the like – from a locked-in BSO.
Given the tensions in our current political and social environment, conversations and alliances such as these, that generate respect through listening to the voices of others, is essential.
Pianist Kirill Gerstein’s take on Busoni is exhilarating; the Finnish Radio Symphony Orchestra serves the forceful music of composer Bernd Alois Zimmermann, and violinist Elina Vähälä does right by Szymanowski’s Violin Concerto.
The renovated Hood Museum of Art feels open and free.
One sees how the keen observation and “truth to nature” that critic John Ruskin espoused was put into action by John Constable and J.M. W. Turner.
What is admirable about Conversations with a Killer is that it is as compelling an exploration of the monster’s victims as it is of Ted Bundy.
Anders Walker’s The Burning House sheds fascinating light on a forgotten piece of intellectual history in the Jim Crow South.
The question is whether this evening of dance was supposed to be engaging or enraging — or both.
Fine recordings of symphonies by neglected American composers Florence Price and George Antheil; and a curious album from Cornelius Meister and the ORF Radio-Sinfonieorchester Wien.
Imaginary Beasts’ Winter Panto 2019 proffers plenty of enthusiasm, wit, and panache.
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