Review
Pianist Stewart Goodyear livens up a tried-and-true program with works new and unfamiliar; the husband-and-wife team of Lukas Geniušas and Anna Geniushene survey piano music written on these shores, starting in 1932.
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The skillful Mark Elder leads a fine cast, including the superb Peruvian tenor Iván Ayón-Rivas.
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Films about relationships are often the best offerings in the Provincetown Film Festival, and several of the narrative films at this year’s go-around were about seeking connection.
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Happily, these clean, bright Craft reissues make some invaluable music glisten.
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This year’s Chicago Blues Festival provided plenty of hope for the blues.
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Pianist Yeol Eum Son is more than up to the demands of J.S. Bach and Maurice Ravel; violinist Bomsori brings exquisite balances and shimmering sonority to Bruch and Korngold.
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The artist’s focus on brutality is present in the show, but the anger and homoeroticism that infused so much of his work are missing.
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The book provides ample proof that activist artists, when determined, can use their work to influence our thinking in positive ways, and effect change.
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The strongest element in this Arlekin production is the indelible stage images of loss and love, death and despair, memory and resilience, dreamed up by director Igor Golyak and his talented production team.
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