Review
Rachel Hadas’s book of prose poems is a set of meditations grounded in a life well lived and much observed, an experimental field for examining the nature of [human] potentialities.
My reviewing this movie is like Proust reviewing a tea-dipped madeleine, but I think even old Marcel could spot when bits of the sponge cake were stale or too soggy.
Mother Nature provided singular and poetic assistance during Sunday’s afternoon outing at Tanglewood.
“The Heron’s Flight” is, in many ways, a hopeful antidote for the fear generated by these difficult times.
This piquantly enjoyable docufiction emphasizes how movie spectatorship encourages empathy and understanding.
The Museum of Fine Arts screens some ripples from the New Wave.
Lamb of God’s show at the MassMutual Center was as spirited, fierce, and technically dazzling as any that the group has brought to these parts over the past two decades.
I am grateful that Al Jardine (at 82, he’s showing signs of age) and Brian Wilson’s band are still bringing Wilson’s brilliant legacy to audiences.
Two very influential and brilliant Cuban musicians, Albita Rodríguez and Chucho Valdés, join together to make a fine album; Chilean guitarist/vocalist/composer Camila Meza serves up a potent mixture of jazz and lyrics concerned with social justice.
Fans who at least followed the band through its heyday in the late ’80s and early ’90s couldn’t have predicted the Mekons would wind it back in 2025 behind a new album just as galvanizing as their past catalog.
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