Review
It’s likely, the playwright suggests, that Americans are incapable of getting out of their own way long enough to cooperate in ways that do anything about the challenges that we face as a society and a country, let alone the world.
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Baritone Will Liverman is emerging as a musician with a capital “M,” one whose thoroughgoing approach to the craft is singularly illuminating, inviting, and affecting.
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The long-anticipated pairing of Gov’t Mule and the Tedeschi Trucks Band turned out to be one of those rare moments when the live performance outshined even the promise on paper.
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This novel is as fresh and charming as any contemporary work this critic has read in ages.
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By Trevor Fairbrother The Queer Lens project made me think about queer culture and camera culture as distinct phenomena that began in the Victorian era: each was a manifestation of modernity. The latest exhibition that Paul Martineau has curated at the J. Paul Getty Museum is titled Queer Lens: A History of Photography and features…
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It’s up to us to champion films like “Boys Go to Jupiter,” which push the medium into exciting new territory when AI slop is literally banging at the door.
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This show demonstrates how Beauford Delaney absorbed lessons from modernism in order to create a unique abstract style that remained committed to representation.
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This is a very welcome document, full of compelling performances and layers of rock ’n’ soul history that will hopefully prove foundational for yet another generation of players interested in reaching for the good stuff.
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Two books that deal with different rituals of autumn.
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Recommendations for albums from multi-instrumentalist Roger Glenn and vibraphonist Mike Freeman.
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