Review
Christian Tetzlaff’s recital was a breathtaking experience, full of dancelike grace, intelligence, and charm.
In his Celebrity Series debut, pianist Martin Helmchen performed a mostly vivid and colorful evening of Bach.
Two powerful films about fending off violent threats, xenophobic and fascist.
For balance and virtuosity, the Berlin Philharmonic Orchestra plays Rued Langgaard’s “Klippepastoraler” for all it’s worth. That just doesn’t end up being very much.
These stories occupy their own, distinctive spaces but they share something intangible. A kind of humanity, maybe? Perhaps.
An unconventional documentary explores the career of unconventional filmmaker Robert Downey Sr.
This is a band as capable of being as spry and unpredictable in its 12th year as it was in its first.
Jazz, in particular, seemed to not merely satisfy Justin Freed’s inner cravings for beauty, but it led him outwards, to others, eventually inspiring some of the key relationships in his life.
In its ninth album, YMCK shows that it is becoming self-aware. They are no longer just avatars we are to identify with, but also (satirically) the corporate entity behind them, a corporation preoccupied, like all others, with innovation.
Book Review: “Barred: Why the Innocent Can’t Get Out of Prison” — Blind Justice
Daniel S. Medwed demonstrates just how astronomical the odds are against anyone who tries to question a guilty verdict, no matter how suspect the conviction.
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