Review
Pianist Beatrice Rana has a particular talent for building a line in ways that are both exactingly dynamic and robustly emotional.
Andris Nelsons has a fine feel for colorful musical canvases, a talent once again displayed in performances of Thierry Escaich’s Cello Concerto and Rachmaninoff’s Symphony No. 2.
Few conductors in Boston have a feel for late Mahler the way Benjamin Zander does.
Beef‘s reflection on today’s growing outrage and extremism reveals a lot about class and inequality.
Ukrainian writer, artist and photographer Yevgenia Belorusets’ diary blends the visceral with the mundane, showing just how quickly dread replaces everyday life.
This award-winning documentary offers precious glimpses of what music, or artistic activity, can mean in the life of a highly talented individual.
The combined concert and gallery experience made one reconsider old clichés — E.M. Forster’s advice that art “only connect” took on an amplified resonance.
I’ve always admired Bob Dylan’s resolute reluctance to repeat himself, artistically or otherwise. The Bootleg Series Vol. 17: Fragments reminds us how obsessive that aesthetic restlessness really is.
What makes Chupa stand out from similar films is that, at its heart, it is a testament to embracing your heritage.
Poet, essayist, and novelist Kat Meads puts readers in the presence of women whose lives were often “spectacularly awry.”
Recent Comments