Review

Sundance Film Festival Review: “Kim’s Video” — Lost and Found?

January 30, 2023
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Kim’s Video is quixotic in a nutty way — in an old Indie style — that is more refreshing than it is nostalgic.

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Jazz Album Review: Pianist Kenny Barron — Cherish “The Source”

January 30, 2023
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The last time Kenny Barron recorded solo was in 1981. That, besides the quality of the music, is a reason to treasure this album.

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Theater Review: “The Art of Burning” — Bonfire of the Vanities

January 29, 2023
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The domestic demolition in Kate Snodgrass’s script is served au flambé.

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Film Review: “Infinity Pool” — Consumers Consuming Themselves

January 28, 2023
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In Infinity Pool, people who are dead inside essentially play with their own corpses as shiny, new toys. The savagery of that idea is, simply, delicious.

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Sundance Film Festival 2023 Dispatch #1 — Girls Just Wanna

January 28, 2023
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The three films I selected to start my 2023 Sundance journey were very different from one another, but they shared one common theme: girlhood.

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Classical Album Review: Daniel Barenboim conducts Schumann

January 28, 2023
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Even if this isn’t the most interpretively satisfying of Daniel Barenboim’s traversals through this repertoire, it is a deeply revealing one that draws on a lifetime of experience with this music.

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Jazz Concert Review: The Laszlo Gardony Trio at Berklee College of Music

January 28, 2023
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The smallish Friend Recital Hall was an ideal setting for pianist Laszlo Gardony to impose his engaging personality, as well as his musical versatility and power.

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Concert Review: Boston Symphony Orchestra Plays Shostakovich, Brahms, and Mackey

January 27, 2023
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Under the baton of Andris Nelsons, a listless Boston Symphony Orchestra delivered flat renditions of works by Shostakovich and Brahms.

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Book Review: Two Powerful Books from Nobel Laureate Mario Vargas Llosa — A Liberal Citizen of the World

January 27, 2023
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Engagingly written by a limpid stylist, The Call of the Tribe marshals a corps of sparkling intellectuals who have in common first-hand experience of dictatorship, a commitment to individual freedom, a belief in reasonably regulated free-market economies, and a rejection of the political zealotry of religion or the doctrinaire left and right.

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Classical Album Review: “God’s Time” — Guitarist Aaron Larget-Caplan Plays the Music of J. S. Bach

January 26, 2023
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Guitarist Aaron Larget-Caplan new release is arresting for how natural the transcriptions sound: it’s as though they’d been intended for this instrumentation all along.

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