Review
Quatuor Diotima evince a thorough command of György Ligeti’s style, as well as a breathtaking grasp of the demands he makes on the instruments.
More popular than The Beggar’s Opera, J. F. Lampe’s goofy opera of 1737 receives its first complete recording, and the performance is splendidly, subtly humorous.
More proof that, with pianist Igor Levit, Beethoven had found new interpreter, not only worthy, but important.
Pianist Beatrice Rana, joined by the Chamber Orchestra of Europe and conductor Yanick Nézet-Séguin, plays the daylights out of Clara Schumann’s Piano Concerto in A minor.
In this complex and enigmatic film, director Davy Chou has skillfully conjured up both a sense of time’s passage and a mood of timelessness.
Chamber music under Shakespeare’s spell is responsible for one of the high points of the Chameleon Arts Ensemble’s current season.
We can only wonder what Katherine Mansfield might have given us had she lived a normal life span, yet we should cherish what we have, as Claire Harman has done so beautifully.
If the production sends at least some of the audience members back to the magnificent poetry of The Canterbury Tales, it would have done a mitzvah.
Two campus structures and one downtown office building speak a new visual language.
Film Commentary: The Books That Shaped My Film Aesthetic
Here’s a personal list of the 25 most important, influential books about American cinema. Only one book per author.
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