Review
Pianist Beatrice Rana, joined by the Chamber Orchestra of Europe and conductor Yanick Nézet-Séguin, plays the daylights out of Clara Schumann’s Piano Concerto in A minor.
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In this complex and enigmatic film, director Davy Chou has skillfully conjured up both a sense of time’s passage and a mood of timelessness.
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Chamber music under Shakespeare’s spell is responsible for one of the high points of the Chameleon Arts Ensemble’s current season.
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We can only wonder what Katherine Mansfield might have given us had she lived a normal life span, yet we should cherish what we have, as Claire Harman has done so beautifully.
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If the production sends at least some of the audience members back to the magnificent poetry of The Canterbury Tales, it would have done a mitzvah.
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Two campus structures and one downtown office building speak a new visual language.
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This year’s Berlin International Film Festival launched a couple of films aimed at a mass audience. The results were mixed.
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The Quiet Girl is the first Irish language nominee for the Best International Feature Oscar, and it’s not hard to see why this subdued gem of a film is capturing hearts.
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Two takes on the orchestral music of Prokofiev — one impish and unpretentious, the other revelatory.
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Anyone who cares deeply about cinema owes Jonas Mekas an abiding debt for all that he did for independent American filmmaking.
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Arts Feature: Best Movies (With Some Disappointments) of 2025