Review
A rundown of three narrative programs and one documentary program. We just might see these directors’ names on future IFFBoston features.
Éric Vuillard’s method is to create an ironic rapport with the powerful: his vignettes dramatize how France’s elite delude themselves into thinking the colonial world order can be kept intact after World War Two.
This is what cinema is all about and these will probably be some of the best movies you will see all year.
If Andris Nelsons’s direction revealed one thing, it’s that violinist Anne-Sophie Mutter and composer Thomas Adès make a stellar musical pairing.
Were the entire film a road tripping adventure between a high school girl and a silly little chair she has to either carry in her arms or lug around in an oversized knapsack then I’d be able to recommend the film with full enthusiasm.
By Aaron Keebaugh Lithe and economical, Boston Baroque’s superb production of Iphigénie en Tauride proved the old adage that less can be more. Iphigénie en Tauride, an opera in four acts. Libretto by Nicolas-François Guillard. Music by Christoph Willibald Gluck. Performed by Boston Baroque. Martin Pearlman, conductor. Mo Zhou, stage director. At GBH’s Calderwood Studio,…
This is a well-researched and accessible account of how and how often the system locks up the wrong people and keeps them locked up.
Horse represents a victory lap (pun intended), a confident follow-up to the artist’s astonishing success with his self-release of Powderhorn Suites.
April weather may be unpredictable, but the bond between grandparents and children is not. Here are some new books that celebrate that special relationship.
Music Documentary Review: “Music Under the Swastika” — Uncomfortably Timely
The road to ultimate destruction is lined by spiritual apathy, intellectual carelessness, and moral equivalency.
Read More about Music Documentary Review: “Music Under the Swastika” — Uncomfortably Timely