Review
Andris Nelsons has a fine feel for colorful musical canvases, a talent once again displayed in performances of Thierry Escaich’s Cello Concerto and Rachmaninoff’s Symphony No. 2.
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Few conductors in Boston have a feel for late Mahler the way Benjamin Zander does.
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Beef‘s reflection on today’s growing outrage and extremism reveals a lot about class and inequality.
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Ukrainian writer, artist and photographer Yevgenia Belorusets’ diary blends the visceral with the mundane, showing just how quickly dread replaces everyday life.
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This award-winning documentary offers precious glimpses of what music, or artistic activity, can mean in the life of a highly talented individual.
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The combined concert and gallery experience made one reconsider old clichés — E.M. Forster’s advice that art “only connect” took on an amplified resonance.
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I’ve always admired Bob Dylan’s resolute reluctance to repeat himself, artistically or otherwise. The Bootleg Series Vol. 17: Fragments reminds us how obsessive that aesthetic restlessness really is.
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What makes Chupa stand out from similar films is that, at its heart, it is a testament to embracing your heritage.
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Poet, essayist, and novelist Kat Meads puts readers in the presence of women whose lives were often “spectacularly awry.”
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Faced with the dual dilemmas of the opacity of the albums themselves and the now painfully obvious narrative of colonialism, wealth, and white privilege, some of Fellow Wanderer’s authors dodge into more easily researched side issues.
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