Review
“Killers of the Flower Moon” is an exercise in kaleidoscopic, cubist storytelling that is, among other things, an epic on the art of the grift.
Strangely, Paul Landis makes no acknowledgment of the implications of the evidence he attests to, namely that neither Lee Harvey Oswald nor any other single gunman could have acted alone.
These new mixes and remixes of the source material, outtakes, and scintillating live cuts show how The Replacements were one of the greatest bands to ever not care much about being one.
A stirring trio date featuring John Scofield on guitar with Vicente Archer on bass and Bill Stewart on drums.
Bill Frisell fans were blessed to hear the Denver-bred, Berklee-schooled guitar savant at a massive multi-space facility that might offer the state’s most awe-inspiring concert hall.
Despite a slow first half, “The Devil on Trial” picks up speed and suggests that the truth can be more infuriating than fiction.
Closing out coverage of the London Film Festival: films from Catherine Breillat, Michael Winterbottom, Luna Carmoon, Robert Morgan, and Daniel Kokotajlo.
Anna Webber’s latest disc of fascinating arrangements and complex sounds is nothing if not adventurous.
Will Hermes reveres Lou Reed’s music, and he expounds on his love in this voluminous, well-researched biography.
The show was proof that Queen + Adam Lambert are quite capable of mixing things up, even as they give everybody exactly what they’ve come to hear.
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