Music
Boston Conservatory’s New Music Festival is inspiring a series of critical and speculative commentaries from Fuse Jazz Critic Steve Elman. Here is the first.
Pianist Angela Hewitt’s performance was hypnotically lovely. She has a beautiful touch, as piano teachers like to say, and her playing was colorful and always elegant.
MIT saves a December void of underground musical events by hosting Florian Hecker and Terry Riley.
It may be the holiday season, but there are a surprisingly large amount of really great concerts this month, some of which are free.
While I’m not necessarily sold on this particular interpretation of Mahler Symphony no. 1, it was a thoughtful reading led with conviction; conductor Ludovic Morlot drew a committed performance from the BSO, and that counts for something.
Violinist Itzhak Perlman is the go-to guy when a world-class violinist is needed at presidential inaugurations, for visiting royalty, and as a guest for cooking shows.
It was clear from the moment Ludovic Morlot mounted the podium that he and the Boston Symphony Orchestra possess a strong chemistry: the players clearly respect him and they responded to his leadership with precision, energy, and feeling.
The Steve Kuhn – Sheila Jordan partnership has been one of the luckiest things ever to happen to either of them, or for us as listeners.
Classical Music Review: Worcester Chamber Music Society — A Deeply Memorable Evening of Music Making
The Worcester Chamber Music Society’s combination of repertoire demonstrated how creative programming can lead to highly satisfying musical results: each piece had something to say to or about its neighbors and the cumulative effect of hearing them in such a context made for a deeply memorable evening of music making.
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