Music
June has a couple shows that venture into the far reaches of sound. Make sure to go to the Baczkowski, Nace, Corsano, Kelley show at Spectacle in Jamaica Plain, MA.
It’s a worthy effort –- and, as a listener, how many times will you have the chance for real adventure inside a concert hall?
Far from being a down month, June marks the start of New England’s summer classical music season.
The month of May was a tough time for rock music in New England. With the impending death of WFNX and presumably local music radio show Boston Accents, there is now one less exposure avenue for our hometown heroes. Not to worry! New England musicians are of a hardy stock, and a little corporate control will never keep them down.
Ultimately, there’s a “look at my technique” quality to composer Lewis Spratlan’s writing in this piece that doesn’t match the musical content and that seems to be striving to be all things to all listeners.
Mark Morris, no longer dancing, joined his company for the curtain call. He’s beloved here, a part of the contemporary dance scene in Boston over the decades as a performer, a choreographer for the Boston Ballet, a teacher, and an inspiration to a number of local performers.
Mr. Hammer played Bach’s Sonata in G minor energetically and sensitively, drawing out composer’s long melodic phrases with appealing grace. Ms. Graveline made a strong accompanist, clearly articulating Bach’s contrapuntal textures.
Chameleon Arts Ensemble’s programming, the brainchild of its director and flutist Deborah Boldin, aims to place pieces together that have interesting things in common musically and culturally.
If you find classical music to be a vibrant, living thing in which inventive pairings and convincing realizations of music of the distant and recent past can speak in fresh and vital ways to the present, Jeremy Denk is your man and this is your CD.
Beethoven’s Symphony No. 9 is a piece the BSO trots out with greater regularity of late than most orchestras (as Tanglewood aficionados are aware, it’s been the traditional summer closer each August for about a decade now) and, while such familiarity may not exactly breed complacency, it certainly runs the risk of so doing.
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