Classical Music
Conductor Christopher Wilkins and Boston Landmarks Orchestra routinely present serious, challenging programs: but there is always room left for some partying.
Read MoreWhen the front page of the newspaper is getting me down, I can feel at least somewhat buoyed by remembering that we live in a world that can produce such profoundly touching and empathetic works of art as Kevin Puts’s “The Hours”.
Read MoreGeorge Li’s latest release showcases a budding artist with a growing command of musical structure, technique, and character; Bruce Liu’s got the measure of Erik Satie’s music — next time, perhaps, he can take on more of it.
Read MoreConductor Manfred Honeck and the Pittsburgh Symphony deliver a conspicuously satisfying and fluent Bruckner Seventh. Dutch violinist Janine Jansen also possesses an uncommon ability to enliven the familiar.
Read MoreJohn Wilson and his players clearly have the measure of Eric Coates’ tuneful, often clever, style and deliver it to the hilt; Aziz Shokhakimov and the Strasbourgers, though still on a learning curve, have a bright future ahead of them.
Read MoreA belated appreciation of one of 2023’s most interesting releases – this Grammy-winning “compendium” may not be a strongly unified work, but its individual parts are eloquent residents of the Place Between classical and jazz.
Read MoreHere is music of depth, music to hear and to think about in a Time of Troubles. But who will play it again? Who will listen? And who will buy?
Read MoreThe Kansas City Symphony’s new Brahms album with outgoing music director Michael Stern showcases three of his works with keyboard in arrangements for orchestra; Lahav Shani’s cycle of Bruckner symphonies with the Rotterdam Philharmonic Orchestra continues with a sterling account of the Fifth.
Read MoreSir Simon Rattle’s latest traversal of Gustav Mahler’s Sixth Symphony is something special; Pianist Aurélien Pontier’s stylish disc is a celebration of the music of fin de siècle Vienna.
Read MoreSir Mark Elder’s latest traversal of Edward Elgar’s two symphonies supplies orchestral playing of the highest level; Sir Antonio Pappano provides plenty of electrifying moments in a pairing of orchestral favorites.
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