Classical Music
Laudably, the Cantata Singers music director David Hoose, now in his 28th year at the helm, has chosen to bring forward works not often played, of which there were two on this month’s program. Three other composers were also represented during the evening. By Caldwell Titcomb. In the first major concert by the Cantata Singers…
Read MoreThe Boston Lyric Opera’s current production, adapted from the Scottish Opera, is updated, but this does no real damage. The three locales are properly preserved. And the three principal characters—opera diva Floria Tosca, her lover Mario Cavaradossi, and the lusting and villainous Baron Scarpia—hit their mark solidly. By Caldwell Titcomb. Some years ago the noted…
Read MoreAmong the classical possibilities this month, the Discovery Ensemble tackles Stravinsky’s perky, neo-classical “Dumbarton Oaks Concerto,” The Spectrum Singers offers a rare chance to hear the Mass, Op. 130 by the Belgian composer Joseph Jongen, and Boston Musica Viva serves up two world premieres: Bernard Hoffer’s Piano Trio (“Cosmic”), and Chris Arrell’s “Convergence.” By Caldwell…
Read MoreThe possibilities of the internet as well as the MET in HD pull Wagner’s dream of a total work of art into the context of 21st-century technology and culture, making possible new cross-cultural and cross-disciplinary references as never before. I think he would have loved it. By Helen Epstein. When I was a musicology student…
Read MoreThere is no doubt that Paul Jacobs, playing the whole recital from memory, is a phenomenal artist, as the advance word had indicated. By Caldwell Titcomb. For the last several years, there has been incredible buzz around the globe concerning a young organist named Paul Jacobs. As one who played a public pipe organ recital…
Read MoreMusic making of this caliber communicates—yet transcends—the tragic tone of these dramatic, religious texts. It brings both the words and the audience who hears them to life. By Susan Miron. Stile Antico, the youthful vocal superstars of Early Music, thrilled a packed St. Paul Church in Cambridge Friday evening. Having wowed audiences at Boston’s Early…
Read MoreAlfred Brendel was the first pianist to record all of Beethoven’s piano music in the 1960s and made many world tours with the 32 sonatas, which seemed like old, close friends. At times he would simply play a snippet here and there to illustrate a point, yet never long enough to satisfy this listener. I…
Read MoreI’ve been ruined by the Met at the Mall. Despite the worn-out, industrial carpeting and the popcorn and the lack of glamor, there are great advantages in seeing opera at the movies these days with state-of-the-art technology, especially the sound. By Helen Epstein. After spending most of the last opera season at the Burlington Mall…
Read MoreWe often hear about how Brahms and Mahler lived under the shadow of Beethoven’s symphonies, but I suspect many other composers had the last three sonatas in their heads, keeping them both inspired and humble. Beethoven Opus 109. 110, 111. Performed by pianist Till Fellner. At Seully Hall, Boston Conservatory, October 12, 2010. By Susan…
Read MoreThe Cantata Singers, a choral group highly esteemed for their programming and superior music making, has devoted the past few years to examining the choral music of one composer per season. The three previous composers to receive this lavish attention were Kurt Weill, Benjamin Britten, and Heinrich Schütz. This is their 47th season and their…
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Arts Remembrance: In Memoriam — Tom Stoppard