Classical Music

Classical Music Review: Boston Early Music Festival’s Duo of Charpentier Operas Delights

November 28, 2011
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I keep being surprised by the brilliant productions and overall excellence of the concerts Boston Early Music Festival presents.

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Classical Music Review: A Love-in for Itzhak Perlman

November 22, 2011
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Violinist Itzhak Perlman is the go-to guy when a world-class violinist is needed at presidential inaugurations, for visiting royalty, and as a guest for cooking shows.

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Classical Music Review: The BSO — A Chemistry Lesson

November 21, 2011
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It was clear from the moment Ludovic Morlot mounted the podium that he and the Boston Symphony Orchestra possess a strong chemistry: the players clearly respect him and they responded to his leadership with precision, energy, and feeling.

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Classical Music Review: Worcester Chamber Music Society — A Deeply Memorable Evening of Music Making

November 20, 2011
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The Worcester Chamber Music Society’s combination of repertoire demonstrated how creative programming can lead to highly satisfying musical results: each piece had something to say to or about its neighbors and the cumulative effect of hearing them in such a context made for a deeply memorable evening of music making.

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Classical Music Review: Boston Symphony Orchestra — A Matter of Faulty Chemistry

November 13, 2011
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While the BSO’s inventive program this week had the potential to plumb the heights and depths of human experience, Saturday’s performance generally lacked the necessary conviction, purpose, and mystery required to do so.

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Classical Music Review: The NCCO at The Worcester Music Festival

November 10, 2011
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The New Century Chamber Orchestra’s ability to vividly bring to life music of delicate character was on full display in this concert, part of the 152nd Worcester Music Festival.

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Classical Music Review: The Boston Lyric Opera — An Efficient and Satisfying “Macbeth”

November 7, 2011
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The Boston Lyric Opera’s new production of “Macbeth,” with sets designed by John Conklin, is based on elements of a New York City Opera production and plays up the macabre elements of the story, which are many.

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Classical Music Review: O Give Me a Muse of Apollo’s Fire!

November 6, 2011
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The audience went wild after each piece Philippe Jaroussky sang. There were three gorgeous encores, ending with the slow, familiar aria from Handel’s “Xerxes”. Most of the crowd would have been happy to have stayed for more. We knew this was an Apollo’s Fire concert to remember.

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Classical Music Review: Boston’s Cantata Singers

November 6, 2011
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Boston’s Cantata Singers opens its 48th season with an eclectic musical mix of the Baroque and the Modern.

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Concert Review: Lang Lang at Symphony Hall

November 1, 2011
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After intermission, Mr. Lang closed the concert with Frederic Chopin’s Twelve Etudes (Op. 25). This is music in which Mr. Lang is completely in his element, and his performance of these fearsomely difficult pieces was a marvel of extraordinary technical skill.

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