Classical Music
The Anonymous 4 went through their medieval and early Renaissance paces, vibrato-less but historically informed and performed.
Read MoreAfter the “Lobgesang”’s premiere, Robert Schumann declared this movement “a glimpse of heaven filled with Raphael’s madonnas,” and Saturday’s performance by the BSO came about as close to that as one could imagine, sensitively phrased and beautifully blended.
Read MoreThough there were differences in quality between the compositions in the BMOP concert, all of the pieces fulfilled the primary requirement of a concerto: they showed off the capabilities of the solo instrument in question, often memorably so.
Read MoreGuest conductor Giancarlo Guerrero, music director of the Nashville Symphony Orchestra, is a big man who conducts with big gestures. In the first half of “The Rite of Spring” I wasn’t quite sure if his podium mannerisms (which culminated in jumping jacks during the concluding “Dance of the Earth”) were helpful or distracting.
Read MoreIn a nice twist, no piece on the Concord Chamber Players program was written before 1907, and that oldest piece came from a fine composer, Camille Saint-Saëns, whose music has fallen somewhat by the wayside since his death in 1922.
Read MoreThe extraordinary intensity the ensemble achieved at soft dynamic levels and their very natural sense of the movement’s pacing were both quite impressive.
Read MoreHighlights in classical music during January include a visit by the acclaimed cappella group Anonymous Four at the Gardner Museum’s new concert hall, and the Boston Modern Orchestra Project performing “Strange Bedfellows: Unlikely Concertos.”
Read MoreMost importantly, there were the amazing, booming acoustics of St. Paul’s, which favored the soaring soprano voices that were, for me, the reason to see this excellent ensemble.
Read MoreAs nicely played as the Mendelssohn and Tchaikovsky were, I left feeling that there was something distinctly anticlimactic about the Aviv Quartet’s programming choices. I would much rather have heard the Erwin Schulhoff close the evening –- or at least heard it sandwiched between the Romantic selections.
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