Classical Music

Classical CD Reviews: Gloria Cheng’s The Edge of Light, Matthias Goerne’s Erlkönig, and Emmanuelle Bertrand plays Shostakovich

March 21, 2013
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The winter doldrums may be upon us, but the first few months of 2013 have been anything but uninteresting when it comes to releases from Harmonia Mundi (HM).

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Classical Music CD Review: Attacca Quartet’s Adventurous “Fellow Traveler” (Azica Records)

March 16, 2013
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This album manages to impressively realize the depth and versatility of John Adams’s music for string quartet. It also announces the arrival of a phenomenal ensemble that plays with a mix of maturity, adventure, and musical insight: this is a group to follow closely and cheer.

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Fuse Concert Review: Vladimir Jurowski Leads the London Philharmonic at Symphony Hall

March 12, 2013
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The Celebrity Series of Boston offers top-notch artists and performing ensembles from around the world. With a Russian at the helm, it is no surprise that the Shostakovich Concerto would match or exceed expectations. The question was whether the Beethoven would.

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Concert Review: Pianist Jeremy Denk — Probing Intelligence and Wit

March 4, 2013
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Pianist Jeremy Denk wields a large artillery of dynamics and colors and it served him well in this performance.

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Classical Music Interview: Playing by Heart — The Chiara String Quartet

March 3, 2013
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Playing by heart with these three incredible people is the most exhilarating thing I’ve ever done as a musician, and I look forward to many more years of doing this with the Chiara Quartet. — Gregory Beaver of the Chiara String Quartet

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Classical Music Sampler: March 2013

March 1, 2013
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March is a month to hear amazing pianists – Jeremy Denk, George Li, Charlie Albright, Jeffrey Swann, Wu Han, and Lydia Artymiw – as well as inspiring choruses and unusual chamber music

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Concert Review: Aisslinn Nosky and the Handel and Haydn Society/Harry Christophers

February 25, 2013
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Handel and Haydn artistic director Harry Christophers placed a composer who is familiar, but not always the focus of attention, front and center, and, in the process, reminded us just how good a musician Haydn was.

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Concert Review: Boston Philharmonic Orchestra/Benjamin Zander at Sanders Theater

February 22, 2013
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In the slow third movement, Mr. Zander, the BPO, and the Symphony seemed to really be in sync: the music breathed, sighed, sang, and unfolded at a natural pace that brought out the best in everybody.

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Opera Review: An Uneven “Clemency” at the Boston Lyric Opera Annex

February 9, 2013
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Composer James MacMillan’s musical strategy in this opera is a stylistic patchwork that seems to mean to convey that each character inhabits a different, mutually misunderstood world.

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Concert Review: Renée Fleming and Susan Graham at Symphony Hall

February 6, 2013
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In an effort to give the proceedings an intimate, salon feel, the Symphony Hall stage was dotted with a couple of potted plants, three armchairs, and a pair of music stands; the cavernous environ of the space was still very much present, but one appreciated the effort to minimize it, even if only partially successful.

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